The morning after I’d been stopped in the street by Hugo (The Knightsbridge Opera dude) I got a text message…
‘So my Liverpudlian princess, how are you fixed for the opera tomorrow evening? X’
Bugger, I had flat viewings.
“It’s a no-go tomorrow I’m afraid.”
Opera Guy was keen because 10 seconds later I got another message. ‘Well the day after then. No opera but let’s do The Tate. I like art and get bored with dinner dates. Meet me at 6pm outside the entrance.”
Forceful, direct… I liked it. And after all it had to be better than sitting round the bar getting mistaken for being a prostitute again.
“Plan.” I text back, “I will see you then. X”
And that’s how I ended up going on a date with Knightsbridge Opera Guy.
The day of the date arrived and as usual I wore five inch heels. Completely inappropriate for a date traipsing around The Tate Gallery but I was hoping it would make Opera Guy slightly frustrated and he would decide to call the gallery time short and he take me to my spiritual home (a bar) instead.
Opera Guy arrived, floppy haired and over coated. We must have looked like a right odd couple; typical Chelsea boy and a girl who looked like she could be on the next series of TOWIE, opposites attract hey?
Except for me there was no attraction. Physically he was so far removed from my normal type it was unreal and I suspect, for him, I was simply an experiment with ‘slumming it’ ( after being in London for over nine months I’ve since discovered that many London posh boys like to slum it with us Scouse birds. I’ve been on dates with men from Eton, Harrow as well as half of Cambridge University circa 2004-2010) But there we were; looking like cast members for some surreal Made in Chelsea/ Desperate Scousewives hybrid TV show.
It was October time, the weather was dismal, Opera Guy had brought along what he referred to as ‘a brolly’. Suddenly, he launched into a dramatic Rendition of the ‘Singing in the Rain’ song and dance. Tap dancing his way into the entrance of the gallery. Whilst at the same time he was belting out a bit of Gene Kelly in a ridiculously loud baritone.
Men, women and children stared in our direction. Pigeons scattered and flew away and a nearby boat sailing along the Thames honked back in reply; presumably believing my date’s singing voice was in fact some sort of warning horn or alarm from another ship.
I cringed so badly that my face resembled the little emoji with the teeth clenched. I think Opera Guy spied this and stopped his dramatics.
“So, the voice?” I asked him once inside the gallery.
“I’m an opera singer darling. I thought I had told you that.”
Damn it, he hadn’t. I had just assumed he was an opera goer opposed to an opera singer. I certainly did not think he was such a fan of opera that he would launch into public recitals.
“Oh how interesting, an opera singer. Do you often rehearse publically?”
“Hahahaha” he bellowed, “I’m notorious for it darlinggg.”
I didn’t know whether to run, cry or leap head first into the Thames and swim for St Paul’s and claim sanctuary.
As it turns out I did none of the above, I stayed on the date with opera guy. The next 90 minutes of my life consisted of an unbearably embarrassing ordeal of listening to Opera Guy sing at full blast about what he thought of the various exhibitions.
There is a toss up for the worst part of the date. It may have been when we arrived in the ‘nude’ room (a room full of paintings and sculptures of the female form.) Where Opera Guy suddenly made up his own lyrics to Nessum Dorma and sung them, very loudly, to the tourists observing the art.
“Huge great big tittiesss,
Everywhere I seeee
Huge great big tittiessss
Never looked so lovelyyyy…”
Or it may have been the time when we were in a pitch black room observing a light instillation.
The room, pitch black, apart from some LCD lights which faded on and off allowed Opera Guy a new found anonymity which he used to his advantage. He decided that he would creep up behind the other gallery goers and make a series of hisses, whistles and growls millimeters away from their ears whilst stroking their arm. In his mind his behaviour was hilarious; the type of behaviour that would certainly impress his date. To the outside world he appeared like a lunatic who had just escaped Bedlam. I smiled apologetically, in the darkness, at the gallery goers whilst secretly thanking God no-one could see my face.
To make matters worse Opera guy must have thought I was amenable to his behaviour. “Oh, you are so much fun to be around. It’s rare to get a girl who gets you and likes to be silly.”
He obviously hadn’t picked up on my non-verbal clues that I was not having fun in the slightest and that idea about jumping into the Thames and swimming for safety was becoming more and more plausible by the second.
After perusing the installations for over an hour and a half (possible the most uncomfortable 90 minutes of my life) Opera Guy decided to call time on the art gallery.
“So cocktails?”
Now everyone I have ever met will tell you I’m not the type of girl to turn down a cocktail, so it left me in torn: drinks with the lunatic or make my excuses and leave. Surely one drink with the lunatic wouldn’t hurt, would it? After all it’s not every day that you meet someone who is genuinely deranged.
The drink itself was quite scenic; we went to Duck and Waffle which has spectacular views over East London and The City. Opera Guy had decided he was sick of his RP accent and was now pretending he was Russell Brand; he had even started imitating Russell’s distinctive, verbose speaking style and Russell’s camp mannerisms were also beginning to creep in. Now Russell Brand for me is The One, and I just couldn’t bear to hear this idiot imitating him (Imitating him badly, embarrassingly and loudly may I add). So I had to politely decline his offer of a second round with the excuse of, ‘up early to view flats’.
Opera Guy did send a few text messages over the next few weeks; one even asked what he did wrong. I didn’t have the heart to tell him he was a complete and utter freakazoid and the date had almost caused me to have public anxiety attacks because of the shame of being associated with him. (Thought honesty to that extent was a bit harsh and mean). So I told him I had started dating someone else; which technically was true as I was, just the ‘someone else’ was ‘someone else (s)’
Only very recently I got another message from Opera Guy ‘Ciao Bella, greetings from Roma’. My Italian is quite poor but Ciao means ‘goodbye’ as well as ‘hello’ and the latter meaning sat with me much better than the first. ‘Ciao Opera guy’ I replied and blocked his number. Next…